The difficult properties of both porcelain and porcelaneous stoneware is that it has alot of memory, and that it doesn't stand well (because it has no grog. Grog is a very fine textured aggregate or sand). The remainder of the cups this semester were a bit thicker due to the difficulty of working with these type of clays. Also, these clays shrink alot. My cups each seem a bit smaller that what feels normal.
Please don't judge too harshly.
C U P 0 4 1
Scraffitto, black slip. Amber Celadon glaze. Red Gas Kiln 3-26-10.
Scraffitto is the process of carving through a contrasting colored slip to reveal the claybody below. I was really excited about these pieces, but the image was lost once it was glazed.
C U P 0 4 2
C U P 0 4 2
Scraffitto, black slip. Amber Celadon glaze. Red Gas Kiln 3-26-10.
Scraffitto, green slip. Amber Celadon glaze. Red Gas Kiln 3-26-10.
Scraffitto, green slip. Pete's Clear glaze. Red Gas Kiln 3-26-10. (This clear glaze was much more successful atnpreserving the scraffitto design).
Rich Blue glaze. Soda fired 3-25-10. Bailey, gas fired, reduction 3-26-10.
C U P 0 4 6
C U P 0 4 6
Black Tea Dust glaze. Soda Fired 3-25-10.
C U P 0 4 7
Resist Etching. Basic Green Celadon glaze. Bailey Kiln, gas-fired, reduction 4-14-10.
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Resist Etching. Basic Green Celadon glaze. Bailey Kiln, gas-fired, reduction 4-14-10.
C U P 0 4 9
Sana's Green. Soda fired 3-25-10.
Chun Clear and Basic Green Celadon glaze. Bailey Kiln, gas-fired, reduction 4-14-10.
This pink was not intended... that is how the glaze reacts in a reduction firing. The same glaze fired in an oxcidation kiln is a clear blue/green color.










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