Our first printmaking project we focused on 2 processes: monotype and transfer. These images are a combination of the two processes. Transfer is simple: a line drawing is created using black ink, run a copy of the drawing in a copy machine. Then you use the solvent 'Citrasolve' and the press to transfer the image to your high quality paper.
Monotype was our first introduction to printmaking inks, which are thick and oil based and really sticky. For the monotype process apply ink to a small sheet of plexiglass, lay the inked plexiglass face down on your paper and run it through the press. The ink should be applied in a really thin coat.
For this project we were required to create an series of three images that illustrated a sequence. I chose to illustrate the process of decomposition of a leaf. I wanted to zoom in and examine the vein structure of a leaf and how it breaks apart over time.
I ran 3 versions of each image in the series. The middle edition was the 'ghost' image, meaning with the monotype I didn't ink the plate again, I just ran it through the press to capture the ink remaining on the glass from the previous run. I think I like these ghost images the best; it looks more natural and less fussed over. There was quite a bit of experimentation across all 9 prints, trying to figure out the properties of these new materials and how to best use the processes.
The jury is still out on printmaking as an art form, and I must say, prospects are not looking good. The associated processes are slow, and the ink is such a pain to work with and clean up. I suppose I'm also getting frustrated with myself for not being more patient! But I'll do my best to see it through the semester.
The following images are the ghosts that I liked best.
I like the 2nd one from the bottom best. It's got a sort of ephemeral quality. Looks like you've been having a lot of fun!
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